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Christoffer Petersen

Authentic Arctic Thrillers

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Blog

When you strike gold

November 9, 2021 by Christoffer Petersen 8 Comments

Denmark has, in my opinion, one of the best library systems in the world. I’m not sure “systems” is the right word, but everything is connected. All the libraries are connected. I can order something from the database, and it might be plucked from the Royal Danish Air Force library and sent to my local library to be picked up. I’ve ordered articles from old newspapers and a librarian scans it and sends me the PDF. I can watch 100 films or documentaries every month, and borrow the DVDs of those films not available for streaming. CDs, board games, computer games – anything you want, and more, when you’re not careful. Like the time I thought it would be interesting to read Sir Richard Burton’s notes from 1001 Arabian Nights. Well, they arrived, all 13 volumes, but they were so old I had to read them at the library.

I must admit, I bit off more than I could chew there. But nevertheless, it is a rare occasion indeed when the Danish library cannot deliver.

Sometimes it feels like magic, as a certain character of mine might say.

However, another character of mine is rather less loquacious. And whereas I know where he got his name from, I did not know the name Maratse also belonged to the man believed to be the very last shaman in Greenland.

I only discovered this recently, but now, thanks to the library, I have Kirsten Bang’s book in my hand.

There’s not much to say at the moment, other than how cool I think it is that with all the shamanism (fictional and heavily dramatised) in my books, I love the fact that there’s a link, if only in name, to my main character.

So I’m going to put aside A Very Stable Genius which I’m currently reading, and crack open a very old book about a very old man, and see if I can’t lose myself in East Greenland for a while.

More on that later.

Chris

Filed Under: currently reading, greenland, maratse, shamanism Tagged With: books, Constable David Maratse, shamanism

Nothing is impossible

November 8, 2021 by Christoffer Petersen Leave a Comment

The publishing world has changed drastically since the advent of eBooks. There are thousands of articles and blog posts about the changes, and I’m not going to recap any of them here. But what I will say, as an independent author, is the smartest thing I ever did when flirting with the traditional publishing world was to keep my English rights for the books they were interested in.

I’d like to take credit for that smart move, but I must confess that at the time, I was ready to go all in, and sign over everything, because I believed I had finally made it. An editor from a big French publisher reached out after finding me on Amazon. They were interested in my books, but they would only deal with an agent. I found a reputable agency in Copenhagen, and I’m guessing having a publisher in my back pocket might have worked in my favour, and I was invited to meet them in the big city. I took my bag of books – I think I had five at the time – and I went off to make my fortune.

Sitting on the train, I felt like I was in a Disney movie, with my bag of books clutched to my chest. It was fun. I was excited about the prospects of becoming a ‘real author’. There was a tiny part of my brain that urged caution, and reminded me of everything I had achieved already as an indie author, but I ignored it. I was ready.

To cut a long story short, after the initial meeting and a tiny bit of haggling about commission rates, I accepted and the agency said they would send the contract to be signed.

The Chestnut Man got in the way.

Yep, that Chestnut Man.

Basically, the agency was swamped, understandably so, with putting the finishing touches on that book, and my contract took a little while to arrive. In the meantime, that voice urging caution got louder and louder, and when the contract did come, I renegotiated and pulled my English rights, leaving the agency to represent my foreign and film rights only. My English rights were my only source of income, so I kind of needed them. Prior to pulling those rights back the agency suggested I return to teaching.

This was in 2018.

I quit my teaching job in December 2017, wrote Seven Graves, One Winter in January/February 2018, published it on Valentine’s Day, got spotted in March, signed in June.

However, the French realised they already had a “Greenland Crime” book in their catalogue, and they pulled out. But during that time Françoise contacted me. She was a translator and had heard about the French interest in Seven Graves, One Winter, and was keen to translate it. But of course that particular deal fell apart. And with no other French interest, so did the opportunity for translation.

Fast forward to February 2021.

I was getting more and more disillusioned with traditional publishing, and considered quitting my agency contract to be truly independent once more. I reached out to Françoise. Was she still interested? And would she like to translate Petra’s Greenland Missing Persons series? They were not on the agency’s books, and therefore not bound to any contract or commission.

I think you can see where this is going, but I’m really excited to say she was interested, and today I published the fifth French translation in the Greenland Missing Persons: Le Piège de l’Hiver. Françoise is currently working on the sixth book in the series. You can find the others here. You’ll also see a Polish edition – more about that later. 🙂

When dealing with the traditional world of publishing, you’re often told about the things that are impossible to do as an independent author. Getting indie books translated was one of those things. Well, when you find the right person, and you both agree on the terms, then nothing is impossible.

One of my favourite books is Michael Asher’s Impossible Journey. It’s a fabulous true-life account of a husband and wife crossing the Sahara with camels. Michael Asher is one of my heroes and I was fortunate to meet him and his wife, photographer Mariantonietta Peru, at a lecture in Glasgow. In the book, Asher visits a French explorer to pick his brains about desert travel. What Théodore Monod said has stuck with me ever since I first read it: … nothing is impossible. Only, some things are difficult.

That quote and that attitude has been my mantra for as long as I can remember. It’s gotten me this far, at least. However, I’d like to add something to that quote and change it slightly to:

Nothing is impossible. Only, some things are difficult, but with the right help, many things can be easier.

I got the right help with my French translations.

Thanks, Françoise!

Chris

Filed Under: In Translation, indie author, writing process Tagged With: Bureau des Personnes disparues au Groenland, en français, greenland missing persons, Le Piège de l’Hiver, petra, the chestnut man, writer stuff

Close your eyes and think of…

November 7, 2021 by Christoffer Petersen Leave a Comment

When I’m not “here” I like to think I’m somewhere in the far north. And, while Greenland is very dear to me, so is Canada and Alaska, and the Yukon in particular. So here’s a quick post to keep the streak going. We had lot of wildlife encounters during our two month trip down the Yukon, and this is just one of them.

Filed Under: alaska, canada, yukon Tagged With: canoeing, yukon river

In the beginning

November 6, 2021 by Christoffer Petersen 2 Comments

I never intended to write crime books or thrillers. Personally, I prefer fantasy and science fiction stories. Which might explain why there’s a hint of shamanism and spirits in my Greenland Missing Persons series, and some of the Maratse novellas, and, come to think of it, in Narkotika …  and then there’s The Ice Circus, and of course, the new character introduced in North Star Bay has a touch of the shaman about him.

Okay.

Maybe there’s quite a bit of fantasy in my writing.

However, before Christoffer Petersen there was Chris Paton, i.e. me.

He was supposed to forge a writing career with Steampunk novels. But it just didn’t turn out that way.

When I was done with my degree I was also really done with The Ice Star. I had written the whole book three times, changed so many things due to feedback from critique groups and lecturers – cue reason why I don’t use beta readers – it just wasn’t my book anymore. I chucked it to one side after graduation, and thought I would never pick it up again.

That’s when I wrote the first Steampunk book: Metal Emissary.

I loved it. It was so different, so fresh. I loved it so much I wrote three more books, and they got longer and longer. I bought covers, paid for marketing (can’t remember where), and posted about them all over Social Media. And I sold a whopping total of one book a month, sometimes two.

Maybe.

Unfortunately, it cost more to receive the payment in my bank account (don’t get me started on banks) than the royalties I earned from the book. I think every Steampunk book I have sold has cost me money, and they have not paid for their covers. Sigh.

Undeterred, I wrote more Steampunk books. I mean, it was going to happen? Right? It was just a matter of time.

Then, as I may have mentioned before, I quit my teaching job to go on an adventure. Jane and I joined our friends and their two kids for two months on the Yukon River, paddling from Whitehorse, Canada to Tanana, Alaska, USA. I was following in Jack London’s footsteps!

Without going into too much detail, suffice it to say that on my return I launched a revamped version of The Ice Star, made my own cover, and chucked it onto Amazon while I returned to the serious business of finding another teaching job.

At this point I could tell you what happened next, but I’ll save that for later.

What I really want to say is the success of The Ice Star, and the books that followed, combined with a change in author attitude (okay, and genre) have allowed me to come full circle. While I’m not going to stop writing crime books and thrillers, I am carving out time for a side hustle – in other words, writing fantasy, science fiction, and yes, Steampunk!

In my latest newsletter to subscribers I mentioned I was making a shift to my blog, and the reason for that is to write posts like this one which are less crime book oriented, but more me. I don’t “me oriented”, although I’m sure it sounds like that. 🙂 And it is a blog about me, so I guess it is. But what I mean to say is the blog is for anything I want to write, whereas readers who signed up for the newsletter did so for more crime and Greenland stuff.

There will be plenty of that here, but today is about me thinking about how I started, and sharing a free* short story with you.

The Impossible Floret is a cute and perilous(ish) Steampunk story I wrote earlier this year, and it takes me back to the beginning.

Chris

*You will need to add an email address to grab the free story. Your email address is used to record the download only. I will not add you to a mailing list.

Filed Under: free, short stories, steampunk Tagged With: writer stuff

Throwing a logline

November 5, 2021 by Christoffer Petersen 6 Comments

When I lived in England, one of my friends called Beef (he was the butcher’s son) showed me how you make sausage. It’s true, it’s one of those things probably best unseen, but I’ll never forget him cutting the fat away from the meat he was preparing at the counter and throwing it, together with bits of gristle and other “stuff”, across the shop and into a sausage making machine. There’s probably a name for such a machine, but I was more impressed with Beef’s aim, because he didn’t miss. However, with a smile he confirmed that it’s true, I probably didn’t want to know how you make sausage, or more to the point, I didn’t want to know what was in them.

This little flash from the past is your trigger warning. If you don’t want to know how I begin my stories, then look away now. 🙂

One of the modules of my degree was Screenwriting, and of all the modules I took it is the one that has had the greatest impression. I use one aspect of it regularly, and always at the start of a new project, just to see if it has legs. That module was my first introduction to loglines, but as you might know, we see them all the time. If you are a movie-goer then loglines are used to help you decide which movie to see. If you watch Netflix or any other streaming service, that same logline is used to help you decide what to stream. In fact, if you’re like me, you might spend more time reading the damn loglines than watching anything, begging the question – just how helpful are they?

My answer is really helpful.

Basically, a logline is 25 words to describe the gist of a story, usually the plot of a movie. I use them to figure out if my idea for a story is viable, and – sausage making alert – this is how I do it.

The 1st Pass

I try and write my idea in 25 words. So, for example, right now I am putting together short stories for my Kickstarter campaign. I’ve already teased the idea to the backer of this story and revealed the title, so here’s the logline for The Ice Breaker Quandary (yes, icebreaker in two words):

When a nuclear-powered icebreaker’s captain threatens to blow the reactor if Greenland won’t help him defect, Constable Petra Jensen enlists a passenger to stop him.

That’s 25 words, with an assist by the hyphen.

I’ve written a lot of loglines over the years, but often they start around 30 words or more. The trick is to be economical with your words. In this example, I’ve chosen to “spend” three words on Constable Petra Jensen, but I could have used two words: a policewoman, choosing policewoman instead of police officer to save a word. The loglines are for me, so I don’t worry about inclusive language. Also, I could have written a middle-aged American passenger, but even with an assist, that’s still four words when all I really need is one: passenger. I could also have written When the captain of a nuclear-powered icebreaker…, but When a nuclear-powered icebreaker’s captain is more economical, using five instead of seven words.

It takes some time, but I enjoy the process of dialing in to my basic plot, and I’m not worried about details. They come later during the writing process.

I’m not using my loglines like they do on Netflix. They are just for me. However, many of my loglines often end up in my story description, sometimes with no added words. I try not to embellish the logline because all I want is the roughest of outlines.

I like to know where I’m going in the story, who with, and why.

Some writers might say that’s amateurish, and one should write into the dark, starting with little more than a blank page. There’s nothing wrong with that, and neither is there anything wrong with having a detailed outline of every step of the story including comprehensive character notes and world-building “stuff”. But it’s a bit like the sausage machine, for God’s sake don’t show anyone. 🙂

My approach – closer to the dark but with a tiny candle in front of me – works for me.

A quick aside – the original photo (inverted for the cover) is taken from my kitchen window in Qaanaaq, Greenland. And yes, that’s a nuclear-powered Russian icebreaker (icebergs and glaciers in the background), now used as an adventure cruise ship for folks with far more money than me. And yet, they came to visit me (kind of), so it all works out in the end.

Stress Test 1 (or several)

I used to have a lot of passes and a lot of stress tests. I don’t anymore. I’m happy with the bare bones of the logline, but I do want to satisfy the demands of the logline I picked up from the screenwriting module.

According to somebody’s rules, a logline must include the who, what, why, when, where, and how of the story. Six things that, if present, ultimately suggest that the story “has legs” as I put it. At this point I could dive into what each of the things actually means, but let’s keep it simple:

  1. Who is your main character
  2. What is your problem or conflict (or subject)
  3. Why is the reason why your character must act
  4. When is the time in which your story is set (often the most difficult to write economically, so I cheat)
  5. Where is your setting
  6. How is the way your character solves the problem, or not (I also cheat with this one)

If you’re wondering about what comes first, yeah, keep wondering. I used to think that was important, but honestly, each element gets points just for showing up.

So, continuing with my own example:

When WHEN a nuclear-powered icebreaker’s captain WHAT threatens to blow the reactor WHY if Greenland WHERE won’t help him defect, Constable Petra Jensen WHO enlists HOW a passenger to stop him.

  1. When is a pain, so I cheated. It takes far too many words to write On a blustery summer’s day in 2018 so I don’t. Nor do I need to know exactly when. I’ll figure it out along the way.
  2. What is my problem to be solved, and that’s the captain going crazy in the reactor room. Or is he/she on the bridge? It doesn’t matter. That’s something else I’ll figure out along the way.
  3. Why is the reason to solve the what. Petra needs to get a wiggle on if she’s going to resolve this problem.
  4. Where is my setting. Perhaps the easiest part of the logline, although for the story description I might add something like in Qaanaaq, in the far north of Greenland but I don’t have room for that either.
  5. Who is dead easy. It’s hero time, and Petra is a star. But I like that she is a constable, so I spend a few words on her title, but drop her Greenlandic name: Piitalaat. I use it plenty in the stories! 😉
  6. How is where I cheat to the max, often because I don’t know how Petra is going to fix this one, and I’d rather not know because it’s more fun to find out. Often the candle I’m holding snuffs out long before this point, and I’m trying to keep up as Petra puzzles it out and saves the day. So the enlists is enough to let me know she’s going to get a passenger to do something, probably putting their lives at risk, but … nuclear-powered icebreaker??? … I’m guessing it’s worth it.

And that’s it, sausage made, ready for consumption, or in this case writing.

I used to have very detailed notes for every project, but the more I write the more I like to be surprised. However, I still like to know if a story works before diving in, and the logline helps.

Chris

Filed Under: writing process Tagged With: Kickstarter, loglines, screenwriting

Freedom

November 4, 2021 by Christoffer Petersen 6 Comments

I am an independent author. Sometimes, just saying it aloud helps. 🙂 There’s a lot of stigma attached to being “independent” and a lot of negativity, usually slung from publishers and those authors and aspirational authors who believe the traditional route is the one and only route to being published. Well, in 2021, all I can say is “good luck with that.”

Being independent gives me and authors like me the freedom to decide pretty much everything. It also means we have to own our mistakes along the way. Like everything, there’s a learning curve, but learning is a big part of the reward. Can I do things better? Sure. How do I do things better? Well, I go and learn from people better than me in that area.

But one of the true freedoms can be found in the creative process, including everything from writing to cover design. I’ve always done my own covers – some are better than others, some are far better than others, meaning I really should go back and change one or two of my covers. And, because I’m independent, free to make my own mistakes, I can.

This year, a good friend I met through writing but have never met, put me on to 3D art. I’ve always enjoyed playing around with images in Photoshop, but felt something was missing – in a nutshell, it was “people” or characters who were missing. With 3D models and assets a whole new world opened up, and I could put a face on my characters. Now, there’s a danger here, and anyone who read The Lord of the Rings before Peter Jackson’s films probably experienced the same identity crisis as I did when Elijah Wood became the new Frodo. So, if I add Petra, one of my main characters, to a book cover or promo image, as I have started doing, then readers might experience the same thing.

I think I just compared Petra to Frodo, there. 🙂

Whatever the consequences, I’m actually fine with it, as what I’ve discovered is a new string to the creative bow. Now, when I create covers or promotional images I find I am adding to the story. Sometimes playing around with a cover inspires a story, which is what happened last night when Petra went back in time (see cover image).

I don’t yet know when or if I’ll write this story, but I’m seriously considering it, just to shake things up a bit.

Being an indie author gives me the freedom to do that.

Chris

Filed Under: 3D art, covers, new series, photoshop Tagged With: 3D art, cover design, covers, new series, petra, photoshop

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