I want things to be right, or as close to right as possible in a fictitious story. I had the chance to talk about that with a journalist from The Arctic Journal. This is the result – an article entitled “Seven Years in Greenland”.
As I get more and more embroiled in right and wrong in the second book of the Greenland trilogy, what’s right takes on a whole new meaning. Getting the facts right is tricky when the characters – some of them at least – are devious by design.
If the lines are blurred in The Ice Star, those same lines in In the Shadow of the Mountain are buried in lies, deceit and a hefty dose of geopolitical subterfuge. I still want things to be right, with a suggestion of today’s truth, and a hint of tomorrow’s, but boy is it fun to mix it all up a little for the sake of a good story.